Soothingly Pensive
This is the best book I read in 2014. And I knew this was something
special while reading Jeevan's first chapter as he strolls through the
snow-covered park. It was absolutely beautiful. Each point of view felt
like I was comfortably sitting inside the mind of each character as
their thoughts, anxieties, and dreams passed by. The book was so
soothingly pensive despite its apocalyptic circumstances. Usually, post-apocalyptic and dystopian novels dwell on violence, destruction, and the fall of morality. But what's remarkable about Station Eleven is that it doesn't do that. There's endurance which is shown as each character is somehow connected with each other, bringing forth one of the purest form of hope I've seen in a novel.
A Gothic Inspiration
This
book is such an inspiration. In many YA books, I notice historical
events are a backdrop to support the romance, paranormal, fantasy, and
or supernatural elements of the book. However, The Cure for Dreaming
most definitely does not do that. Cat Winters constantly reminds her
readers that this book is predominantly a novel about women's suffrage
and rights in America and how one girl reflects many others who have had
to overcome their limitations during a time fraught with sexism. It's also amazing how she captures the cusp of this historical movement, while seeping in the creep factors so appropriate for Halloween. I love how she brings the supernatural and paranormal, genres specific to Europe and the east coast, to the Pacific north west. Such transformations are refreshing.
This is one of the best YA books out there and I recommend it to historical and paranormal/supernatural lovers alike. After reading the last page, I was filled with so much promise!
The Worst Sequel to a Trilogy
This
is by far the worst sequel to a series I've ever read. Usually, when
forbidden lovers finally come together, there is a sigh of relief. I let
out a breath of exasperation. Kaidan and Anna's relationship is full of
flaws like any other normal relationship. I have no issue with that.
What bothers me is the pretense of resolution when there was none, as
seen in the chapter when both arrive at Kaidan's bachelor pad and begin
cleaning the place up as if they were cleaning up all the problems in
their relationship. It was horrible. The imbalance of their relationship
is horrible. I'm sure I wasn't the only one ripping my hair out whilst
reading Anna's sheer neediness and Kaidan's stupidity. There is a point
when a story veers from angsty romance to petty drama.
There was also no character development from anyone. Most of Anna's prophet work was done by her father and friends. And we as readers didn't get any insight on this big strategy. All of Anna's friends were one-dimensional and rotated around for character exposure, rather than significance.
There was so much promise for this series! I loved the paranormal concept, but it really fell apart in Sweet Peril. I actually had to stop reading the book for a week after Anna and Kaidan reunited because I was so frustrated. But I'm going to give this series another chance by reading Sweet Reckoning.
There was also no character development from anyone. Most of Anna's prophet work was done by her father and friends. And we as readers didn't get any insight on this big strategy. All of Anna's friends were one-dimensional and rotated around for character exposure, rather than significance.
There was so much promise for this series! I loved the paranormal concept, but it really fell apart in Sweet Peril. I actually had to stop reading the book for a week after Anna and Kaidan reunited because I was so frustrated. But I'm going to give this series another chance by reading Sweet Reckoning.